TL;DR, Frozen Soul vocalist Chad Green says the anime Ninja Scroll and Dragon Ball Z directly inspired the band’s song “Deathweaver” on their new album No Place of Warmth. He also discusses the album’s guest spots and the band’s love of anime and Magic: The Gathering at shows.
Chad Green says anime drove a key creative swing on Frozen Soul’s new record. In a new Frozen Soul Deathweaver interview, the vocalist explains how Ninja Scroll and Dragon Ball Z shaped the concept, tone, and imagery of the track Deathweaver on No Place of Warmth, then lays out how the album’s guest features came together and why the band’s live rituals include Magic: The Gathering. Green points to Yurimaru’s lethal wire technique in Ninja Scroll and a pivotal Vegeta entrance in Dragon Ball Z: Bojack Unbound as the spark for Deathweaver’s atmosphere.
That mix of menace and heroic release fits the album’s stated goal, music that makes listeners feel strong enough to take on the day.
How Chad Green says Ninja Scroll and Dragon Ball Z shaped ‘Deathweaver’
Pressed for writing time between tours, Chad Green looked for a fresh trigger and went straight to the anime that raised him. He rewatched Ninja Scroll, locking onto Yurimaru and those razor-wire lines that slice and electrocute. Out of that came a villain idea for Deathweaver, a figure who plucks nerves and veins like strings.
The image carries through the song’s language, with tactile words and cold details meant to make you feel constricted before the cut. That pressure-and-release mindset is the spine of the track.
He paired that with a Dragon Ball Z scene he could not shake. In Bojack Unbound, Trunks gets bound by crackling wires until Vegeta strides in, severs the lines, and tosses him the sword. Green said he replayed that moment around 50 times while writing.
You can hear that Dragon Ball Z influence in how Deathweaver builds a chokehold, then snaps it. The song does not just nod to a fight, it recreates the beat where everything flips from entrapment to counterattack.
The Ninja Scroll influence colors the track’s menace, the DBZ cue fuels the surge. Green ties both to the album’s empowerment theme, but Deathweaver is the cut where those references stay front and center. com/art-of-anime-vol-8-heritage-dragon-ball-auction/”>Dragon Ball auction chatter shows how those images keep circulating.
Within the Frozen Soul Deathweaver interview, Green frames it simply: anime gave him the visual hook, then the song chased the feeling of snapping free.
Where ‘Deathweaver’ sits on No Place of Warmth and the guest spots
No Place of Warmth is Frozen Soul’s third record, and Green calls it the band’s best evolution, a set built to make listeners feel like the hero of their own story. In that arc, Deathweaver is the one he singled out as directly shaped by anime images. It slots into a tracklist conceived during heavy touring, where the writing leaned on bold, immediate ideas.
The song’s bind-and-break structure lines up with the album’s push for power, a reminder that even the bleakest riff can flip into a rally.
The guest list reflects the same friend-first approach. The Gerard Way Frozen Soul link began when the band was invited to My Chemical Romance’s Dallas arena show, then strengthened at a later LA date with Napalm Death. Green texted Way during album sessions, and Way recorded a part without charging, later jumping on stage in LA to sing it live.
With Robb Flynn, they became friends on a tour with Killswitch Engage, bonded over experiences of loss, and Flynn wrote all his lyrics and appeared in the video. Devin Swank was on Green’s wish list for years, and this time the band, by Green’s words, pushed the heaviness to 11 to match him. That lineup gives No Place of Warmth a range of voices without breaking the album’s ice-cold center.
Context-wise, Deathweaver sits as an anchor for the record’s empowerment theme. The menacing imagery, the wire-snap pivot, the sense of earned lift, all feed the momentum Green wants across the LP. As he frames it in the Frozen Soul Deathweaver interview, the song is one proof of concept for the album’s mission.
The Robb Flynn Devin Swank energy and Way’s cameo add texture, but the throughline stays clear: heavy music that feels like getting back up again.
Why Chad Green mixes anime, Magic: The Gathering, and death metal in Frozen Soul shows
Frozen Soul does not hide what they love, and that spills into the room. Green talks about Magic: The Gathering games breaking out in the pit, a small signal that their shows are a place to be yourself. That Magic The Gathering pit vibe fits how he writes.
On tour, when time is thin, he pulls from the things that light him up fast, like Ninja Scroll or Dragon Ball Z, then chases how those scenes make him feel. The same openness powers their stage presence, where anime tees and card decks sit right beside denim and leather.
Green’s read on why it works is simple. Anime shows characters confronting fear, grief, and anger, then rising again. Heavy music lets you process the same feelings at full volume.
He points to Dragon Ball Z: Bojack Unbound and the snap when Gohan hits Super Saiyan 2, a clean metaphor for the release a breakdown can deliver. That is why Frozen Soul live shows often feel communal. The pit is not only chaos, it is catharsis, a place to test that energy and leave lighter.
The band’s creative habits mirror that mix. They write on the move, borrow imagery when it serves the song, and bring it all back to empowerment. Green describes anime influences live as one thread in a larger identity, not a costume.
It is the same thread running through the Frozen Soul Deathweaver interview, the album’s message, and the onstage rituals. Open the door wide, let people in, and give them a soundtrack to get back up.
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Source: Crunchyroll